In 1992, in a small shop in British Columbia, a sign maker named Blair Gran stared at a wall full of half-finished jobs and felt something click. Sign-making was treated like a commodity — orders in, banners out — but as thousands of signs came through his shop, he couldn’t help but notice the difference between the good ones and the bad ones. He could see that every sign that left his shop was either helping a business get noticed, or letting it disappear in plain sight.
Brightness: Up to 1,200 nits
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It's a shame, because DTF St. Louis is full of some genuinely funny moments, from a suspicious smoothie rendezvous to a whispered discussion at the Outback Steakhouse urinals about using DTF St. Louis. Peak loser behavior! I wish DTF St. Louis leaned further into that angle, but in the end, its underwhelming, nonchronological mystery approach wins out.